The play takes place entirely in the underground bunker where the officers reside. A new company has just arrived at the trenches, including the five officers. Before we even see him, we learn that Captain Stanhope (Peter Christian Hansen) has a reputation for drinking whiskey and having a temper, but his right-hand man Lieutenant Osborne (Alan Sorenson) defends him. When we do finally meet him, it's clear Stanhope has a serious case of self-loathing, and drinks to be able to face the horrors of war. Osborne takes care of him when he's had a few too many; the two seem to be a good, if unconventional, team. The company of officers also includes the jovial and affable Trotter (Jim Ahrens) and the nervous and ill Hibbert (Kevin Fanshaw). A new officer named Raleigh (Benjamin Slye), who has just joined the team, turns out to have a previous personal relationship with Stanhope, whom he idolizes, which causes issues for our troubled hero. The company goes about their routine of taking shifts up in the trenches, sleeping, eating meals, and having tea, waited on by the efficient Mason (Caleb Wagner). When a Colonel (Craig Johnson) arrives to tell them of an impending attack, and a dangerous raid that the officers must make, things get serious. You know that a play subtitled "A Requiem" is not going to have a happy ending.
|dinner in the bunker (Benjamin Slye, Caleb Wagner, Jim Ahrens,
Alan Sorenson, and Peter Christian Hansen, photo by Alyssa Kristine)
The design is so effective as to almost make one feel claustrophobic, like we really are underground in a damp, dark, cramped space. On Gremlin's thrust stage are a couple of (really uncomfortable looking) cots, a table strewn with candles and papers, and a few stools. Behind that is a hallway that leads to the kitchen on one end and the other officers' bunks on the other, and stairs that ascend to the surface, where most of the entrances and exits occur (these guys really get their stair workout in). The dark space is lit by candles, with varying light streaming down the stairs from up above. There's a constant rumble coming from the battle field, which increases to an almost unbearable level when things heat up. The large cast is dressed in detailed and very authentic looking uniforms. It's all very effective in creating an atmosphere of war. (Set design by Bain Boehlke, sound design by C. Andrew Mayer, lighting design by Kathy Maxwell, costume design by Amber Brown.)
One would hope that in the 90 years since this play was written, the 100 years since the events of the play took place, we would have learned something about how awful war is and how to prevent it. WWI was supposed to be The Great War to end all wars, but then it happened again 20 years later. And it's still happening all over the world; one look at today's news will tell you we haven't learned a thing. I'm reminded of my favorite Calvin and Hobbes cartoon, in which Calvin asks his dad, "Dad, how do soldiers killing each other solve the world's problems?" Dad just looks confused, and Calvin walks away saying, "I think grown-ups just act like they know what they're doing."
Journey's End continues through November 10 at Gremlin Theatre in St. Paul.