Broadway tour of "The Notebook" at Ordway Center for Performing Arts

It took twenty years for the popular 2004 tear-jerker The Notebook, based on the Nicholas Sparks novel, to become a Broadway musical, and now the national tour is playing at the Ordway Center in St. Paul for two weeks. And on opening night, Mr. Sparks himself was there to watch his story told musically, along with producer Kevin McCollum, who used to work at the Ordway. I don't think I've ever read the book, and haven't seen the movie in at least a decade, so I went into the musical without any real attachment to the source material. I found it to be well-adapted, with a clever and effective overlapping of the three timelines in the story, exploring relevant themes of memory, time, relationships, dementia, and family, with an easy to listen to and emotionally true score by singer/songwriter Ingrid Michaelson. It's also the rare Broadway musical that's less than two a half hours long, and feels just the right length, not overstaying its welcome. See it in lovely downtown St. Paul, already decked out for the holidays in twinkling lights, through November 30.

"Memphis" by Artistry at Bloomington Center for the Arts

"All rock 'n' roll is, is Negro blues sped up." This quote from the 2010 Tony-winning best musical Memphis, currently playing at Artistry in Bloomington, sums up the premise of the story - the way that White rock 'n' roll artists of the 1950s borrowed, or stole, from Black R&B artists. This cultural appropriation is something we're even more aware of in 2022 than we were 12 years ago, as noted by director Aimee K. Bryant in the program: "the show appropriates the story of the birth of rock 'n' roll, just like the music industry appropriates Black music and culture. It credits Huey Calhoun with the success of the genre, instead of crediting Felicia Farrell and her brother Delray with Huey's success." Well said, and this production is fully aware of that, and much of the spotlight is given to the Black artists and music that fueled the rock 'n' roll movement. Artistry has assembled a cast that is truly an embarrassment of riches to bring us the regional premiere of the Tony-winning musical.

"Still Dance the Stars" at Yellow Tree Theatre

Last night in the cozy intimate space of Yellow Tree Theatre, in a strip mall in Osseo, I saw a world premiere new play that's unlike anything I've seen before. As someone who sees a lot of theater (and I mean a lot), that's a rare occurrence. While playwright Jayme McGhan's Still Dance the Stars reminds me a little of the Pulitzer Prize winning musical Next to Normal, in that it deals with parents grieving the loss of a child in different (and sometimes hallucinatory) ways, the storytelling is completely unique, combining very real and natural dialogue, fantastical dream sequences in which stuffed animals come to life, dance, and music to tell a heart-wrenching and heart-warming story of grief, love, and family. It's a great choice of play for Yellow Tree, my favorite theater in the 'burbs, and the cast and creative team do a beautiful job of bringing the play to life with all of its humor, grace, silliness, and beauty.

A Reading of the New Musical "Delgadina" at Strike Theater

Last week was a great week for readings. First, I saw the second play in the Playwrights' Center Ruth Easton Series (continuing the first Monday/Tuesday of the month through April), then I saw three readings in the History Theatre's "Raw Stages" series (the last one is today at 2), and finally, I concluded my the week of readings with a new musical written by Max Wojtanowicz (book and lyrics) and Michael Gruber (music and additional lyrics). Based on a Chilean folk tale, Delgadina is ostensibly a musical for young people, but this not-so-young person with no particular interest in "children's entertainment" found it utterly delightful. There are two more readings of this great new work, Sunday and Monday at 7 pm at Strike Theater in Northeast Minneapolis. I highly recommend checking it out if you're interested in new works of music-theater being created right here in #TCTheater (free, no reservations necessary, more information here).

"Promise Land" by Transatlantic Love Affair at Guthrie Theater

Twin Cities Theater Bloggers' favorite theater of 2016, the charmingly named Transatlantic Love Affair, is making their Guthrie Theater debut as part of the Guthrie's new Level Nine Series. This series makes theater more accessible (all tickets for shows in the Dowling Studio are just $9), and also endeavors to engage theater-goers with what they call "community engagement activities," which often include post-show discussions or displays in the golden lobby. Hopefully TLA's participation in this series will allow people who don't know that TCTB knows about them to get on board with this truly unique and special physical theater company.

"Queens" by Sandbox Theater at Park Square Theatre

Sandbox Theatre has been around for over ten years, but I just "discovered" them two years ago at the Fringe. In those two years I have come to look forward to their shows, which are always new ensemble-created works that combine movement, music, and acting to create something quite unique, sometimes a bit odd, and often lovely. Their newest piece Queens has the smallest cast I've seen - just three actors - but is just as lovely and inventive as their other work. This seemingly simple story of a boy who goes in search of the father he never knew and becomes a boxer, losing himself in the process, is actually much deeper and more layered than it first appears (but I'll let you figure that out for yourself). This group of artists has once again created something unique and special and quietly lovely.

"Leap of Faith" by Minneapolis Musical Theatre at the New Century Theatre

I really thought it would be raining when I left New Century Theatre last night, such is the power of Minneapolis Musical Theatre's Leap of Faith. If it were possible to bring the rain through the sheer energy of talented performers in a musical, downtown Minneapolis would be flooded every night! This musical adaptation of the 1992 Steve Martin movie flopped on Broadway in 2012, closing after less than a month. But perhaps it's better suited to more intimate theaters like the New Century, which, with curtains dropped on three sides, really feels like you're inside a revival tent. Yes, this mix of The Rainmaker and The Music Man is filled with cliches and nothing we haven't seen before, but the music is catchy and fun, and this cast delivers it with boundless energy that makes you want to rise up and be healed!

"CABARAVE: #sexuality" by Rathaus Productions at the Lab Theatre

There's something new and cool going on down at the Lab Theatre, the gorgeous and open warehouse-turned-performance space in the North Loop neighborhood of Minneapolis. CABARAVE is cabaret experience that combines a nightclub feel with performances of dance, music, aerial dance, and visual art. I was lucky enough to attend the last tech rehearsal with my blogger buddy Laura of "One Girl, Two Cities," where it felt like they were performing just for us! The performances were spectacular, and even though we didn't get the full nightclub experience at a rehearsal, it's easy to imagine what it will be like when the Lab is filled with revelers (and may require a future visit to get the full flavor of it). Created by Jessie Storovich and Kameron Nelson of Rathaus Productions (read more about them here) with help from Sasha Andreev and director Joshua Campbell, the intent of the show is to create a fun, relaxed environment where people who might not usually go to "arty" things can experience art while having a good time, perhaps without even realizing it!

dancer Emily Madigan

CABARAVE: #sexuality runs Thursdays through Saturdays throughout the month of June (along with a few Monday night dates for the 18+ crowd, otherwise you must be 21 to enter), and will return in July with a new theme. Doors open at 9 pm and close around 1 am, with the intent being you can wander in whenever and stay as long as you please (with the lowest ticket price at $10, you don't have to stay long to get your money's worth). The evening is constructed as five 20-minute sets, separated by about 30 minutes of house music provided by the DJ, during which time you can dance, mingle, and drink (beer, wine, and wine cocktails served at the bar). The music is a modern twist on jazz and ragtime classics, known as "electro swing." It's pretty cool, familiar yet new sounding.

Each 20-minute set includes several short performances, a sort of mix and match from the following:

aerialist Timothy Herian

• Dance - including some fierce tapping by Rush Benson, sexy duo numbers by fantastic dancers Emily Madigan and Jeff Robinson, and able assistance (as well as waitressing) by Michelle Lemon and Georgia Sylvester in various combinations.
• Aerial dance - Timothy Herian is so graceful, confident, and athletic on the aerial silks that I couldn't take my eyes off him whenever he performed. It's a very cool (and somewhat dangerous) form of dance.
• Music - powerful and gorgeous singing by Kecia Rehkamp and Michael Hanna, and electric fiddle by Alison Keller.
• Visual art - artist Aimee Strzok paints a new creation every night. It's not often you get to watch a piece of art be created, so it's a fascinating peek into the process.

dancer Rush Benson

The Lab is one of my favorite places to see theater because it's so open and adaptable, with great bones. For this show the space is decked out in chandeliers and hanging crystals, with the lobby turned into a shabby chic green room of an old theater. Cabaret tables on the floor and risers provide a perch from which to watch the action, with plenty of floor space between the three stages for dancing (if that's your thing).

As someone who (willingly) sees a ton of theater, it's always a treat to see something that pushes the boundaries of what theater can do and be, as this show does. CABARAVE is a unique experience and one that regular theater-goes like myself can enjoy as much as people who would never step foot inside a theater. It's a fun place to go and hang out with friends and strangers, and oh by the way, there's "art" happening all around you! Watch the trailer below, and if you like what you see, make plans to head to the Lab Theater this summer (more info and tickets here).

"Calvin Berger" by Minneapolis Musical Theatre at the New Century Theatre

"Rare musicals. Well done." Minneapolis Musical Theatre lives up to their motto, having given us great productions of such lesser known musicals as Steven King's Carrie and the controversial Bloody Bloody Andrew Jackson. Their second show this season is the 2006 musical Calvin Berger, loosely based on the classic French play Cyrano de Bergerac, set in a modern day high school. Instead of a sword-fighting poet with a big nose, this Cyrano is an insecure high school student named Calvin who thinks he has a big nose. Whether real or perceived, it keeps him from living the life he wants. It's a clever adaptation of a classic story, relating the still relevant themes of being true to yourself and wanting to be loved for who you are in a modern and accessible way. And while the non-Cyrano parts of the story are a bit cliche and the characters familiar stereotypes, it's charmingly delivered by a strong cast of four and makes for a fun and entertaining evening at the theater.

Calvin Berger is your typical high school nerd, smart and funny in his way but lacking in self-confidence, in this case because he thinks nose is too big. Isn't that always the way, we see our flaws first and think that everyone else sees them too, when really they're too busy with their own lives to notice. In fact we learn in the opening number that all of these characters, even the ones who appear to have everything, are insecure about something. Calvin's best friend is a girl named Bret, who secretly pines for him (a plot point that's familiar to children of the '80s). But Calvin only has eyes for the pretty popular Rosanna, who worries that she may never be anything more. When Rosanna asks Calvin to help her get to know the cute new guy Matt, he reluctantly agrees. Matt's insecurity is his inability to talk to girls, so like Cyrano does for Christian, Calvin gives Matt the words he lacks to help him woo Rosanna. The story diverges from the original (spoiler alert: nobody dies), and the truth is eventually revealed. Everyone learns that it's better to be who you are than pretend to be someone else, and is happier for it.

Matt and Calvin - "We're the Man!"
(Logan Greene and Gregory Adam, photo by Heidi Bohnenkamp)

The small cast allows for a greater focus on these four characters without the distraction of an ensemble. Director Joshua James Campbell brings out the best in the talented young cast; all four are extremely likeable and bring depth and color to roles that are familiar high school stereotypes. Gregory Adam is adorkable as the awkward Calvin, and has the most poignant moments of the show as he shows us Calvin's deep longing to be accepted. Logan Greene is perfect as the sweet but dumb Matt, and the two have a believable bromance that makes you think they kind of like and need each other, despite their odd arrangement. As Rosanna, Emily Madigan shows that she's more than just a great dancer, bringing a sweetness of voice and character to the role. Last but not least, Kecia Rehkamp is the quintessential funny best friend who wants to be more than just a sidekick. And happily, the two girls become friends in the end and overcome that tired cliche of fighting over a boy. All four actors have great voices singing these funny and clever, if not particularly memorable, songs, with some lovely harmonies in duet, trio, and quartet, accompanied by a four-piece band just barely visible behind the back wall of the set.

Calvin, Bret, and Rosanna in the home of the Cavaliers
(Gregory Adam, Kecia Rehkamp, and Emily Madigan,
photo by Heidi Bohnenkamp)

I was happy to see that they built out the usually wide and shallow stage, which can feel crowded and two-dimensional, to form a mini-thrust. It gives the characters more space to move around and even interact with the audience a bit as they hand out fliers for the big bachelor auction fundraiser. The set looks like a typical high school, with lockers and the high school colors painted on the floor (set by Darren Hensel). There's nothing noteworthy about the costumes, which is a good thing because these kids look like typical teenagers, each with a style specific to the character (costumes by Lori Maxwell, who doubles as the Music Director).

Calvin Berger is a really cute show, and I don't mean that in a condescending way; cute can be good and pleasant and everything you want sometimes. It's a sweet, charming, funny show, with a great young cast that is fun to watch. Playing at the New Century Theatre through February 15 (discount tickets available on Goldstar).


This article also appears on Broadway World Minneapolis.

Fringe Festival: "Failure: A Love Story"

Day: 4

Show: 12

Title: Failure: A Love Story

Category: Comedy

By: Campbell Productions

Written by: Philip Dawkins

Location: Illusion Theater

Summary: A love story about a family consisting of three doomed sisters, their adopted brother (who may or may not be in love with them), and the charming young man they all loved.

Highlights: It's the late '20s and the Fail sisters are going to die. That much we know, but watching it all unfold is a series of delightful and heartbreaking surprises. "Comedy" is not a big enough word to describe what this show is. Director Joshua James Campbell and this beautiful eight-person cast have created the perfect tone for the show, walking that delicate line between lighthearted quirky comedy and heartbreaking and heartwarming love story. I'm not going to divulge any plot details so as not to spoil the joy of discovery, but suffice it to say, there are talking animals, epic swims, anthropomorphized clocks, charming ukulele music, tragic untimely deaths, and unexpected love. The lovely Fail sisters are Su Yoon Ko as the practical oldest sister who runs the family clock shop, Andrea San Miguel as the spunky athletic middle sister, and Emily Madigan as the fun-loving baby. As their brother John N. who's "not good with people" and watches all of his beloved sisters die, Sean Dillon has the perfect hangdog expression hiding depths of feeling. The talented Nathan Barlow is charming as the man all of the sisters love, the great Kim Kivens and Charles Fraser embody everyone from the Fail parents to animals to clocks, and last but not least, Revay Henneman as a living gramophone provides a perfect soundtrack with period songs on the ukulele. This show is everything I want from a Fringe show, really everything I want from theater: funny, quirky, whimsical, musical, poignant, touching, surprising, moving, and utterly heartbreaking. Am I the only one who was reduced to a weepy mess at the end of this show? It just touched me so deeply in so many ways with its true and beautiful depiction of love in its many forms. "Just because something ends doesn't mean it wasn't successful." If I didn't have a few dozen other shows I need to see this week, I would go see this one again. Friends - do not miss this show.