Conceived and directed by TLA's co-Artistic Director Diogo Lopes, Ash Land is a very loose re-imagining of the classic Cinderella tale, in which our heroine is now a farmer's daughter somewhere in the plains of middle America in the last century. Ellie's beloved mother dies, leaving her and her father devastated and with a farm to care for in a drought. Ellie's aunt marries her father in order to help care for her and the farm, but decides to sell it. Ellie goes to the town banker's party to try to stop the sale, where she meets his kind and handsome son. And then, it begins to rain.*
On a completely bare stage, this wonderful cast of eight (seven of whom were in the original production) create everything in the world of the story with their bodies and voices. They are the doors and windows, the waving wheat, the wind, the livestock, the water pump, furniture, a car, and most poignantly, the rain. Along with the subtle lighting (by Michael Wangen) and the melancholic sound of a steel guitar (played by Harper Zwicky), the movement of the cast is so evocative of a specific time and place that you can feel the dry heat, see the tumbleweeds blowing, and revel in the release of the long-awaited rain. The cast also sings a few songs from the traditional Americana canon that I love so much, including "Who's Gonna Shoe Your Pretty Little Foot," "Ain't No Grave," and "Poor Wayfarin' Stranger." The show has been expanded from its original Fringe length (under an hour) to about an hour and a half, which has allowed them to add a few new scenes, as well as given other scenes the room to breathe and expand a little.
|Ellie (Adelin Phelps) and her mother (Isabel Nelson)|
drinking lemonade on the porch swing
Ash Land plays through February 22, and if you've never seen Transatlantic Love Affair before, you really need to experience their unique and beautiful style of theater. And with tickets for as low as $5 on Goldstar, you'd be a fool to miss this one! (Tip: bring tissues.)
I'll leave you with how I concluded my blog the first time I saw the show.
Friends, this one really touched me. And that's all I ask from theater - to move me in some way, whether it's to laughter or tears, or a different way of thinking about something, or a different way of seeing something. To leave the theater knowing that I'm different than when I walked in, that I've been forever changed (in some small way) by what I've seen. That's what this show did for me.
*Yes, I plagiarized myself by copying the plot summary from my previous post about the show.