"A Pickup Truck Opera; Volume One: The Odyssey" by Mixed Precipitation at Various Outdoor Locations

While Mixed Precipitation's annual tradition of the "picnic operetta" is on hold due to the pandemic, last year they premiered a new fun and accessible opera mash-up experience - the Pickup Truck Opera. Driving a 2011 royal blue Ford pickup to parks around and outside of the Twin Cities, and performing out of the bed of the truck (have opera - will travel), they mash up Monteverdi's 17th Century opera The Return of Ulysses to his Homeland with the songs of Dolly Parton. Last year they teased us with Episode 3, but this year they're presenting the full three-episode saga, and as always with this troupe, it's sheer delight. I caught them near the end of their two-month run in a nearby park, but you can still see them today at Cedar Lake, next weekend in Hastings, or their closing weekend September 11-12 in St. Paul and Minneapolis (see details and schedule here).

"The Uncertainty Principle" at Open Eye Theatre

Live performances at Open Eye Theatre's charming and intimate stage in South Minneapolis returned this week. Whether it's one of their work, or one of the guest artists they support, a show at Open Eye is always going to be unique and interesting. Teresa Mock's solo piece The Uncertainty Principle fits the bill. It's a memory play, not just about her memory, but also her father Paul's, a Vietnam vet. In this funny, poignant, moving, and very personal play, she explores the idea of memory, legacy, and multi-generational trauma. And since this is Open Eye (formerly Figure) Theatre, there is also puppetry to help tell the story. Only three performances of this moving piece remain (click here for details).

Storyhill Fest 2021

On the Monday of Labor Day Weekend of 2014, I drove away from Storyhill Fest at Clearwater Forest Camp, as I had the previous four years, but this time not knowing when I would return. What used to be an annual festival was no longer going to be a regular event. It took seven years (including one pandemic postponement), but this year we finally returned to the idyllic folk music festival in the Brainerd Lakes area of Minnesota. And in the weird way that time and memory work, it felt like I had never left. Settling into my dorm-like room in the lodge, walking the beautiful hiking trails on the grounds, going for a swim, sitting around the campfire (faux this year, because drought), and most of all sitting in a camp chair on a warm (or cool, because Minnesota) late summer day listening to an array of incredibly talented singer/songwriter/storytellers, it all felt so familiar, so real, so right. It felt like coming home, like coming out of a long drought, not of rain but of performing arts. As one of the performers said, we're not out of the woods of this pandemic yet, but for a few days, in this one place, we all came together (with appropriate safety protocols) to share and celebrate music and humanity.

Ghostlight Series: "Music to Our Eyes: Designers Sing Out" streaming from Theater Latte Da

The final virtual cabaret in Theater Latte Da's excellent "Ghostlight Series" has now been released, with all five available to view through August 31. Music to Our Eyes: Designers Sing Out is a beautiful conclusion to what has been an in-depth look at artists and what music, theater, and performance means in our lives. Every one of the stories of these four designers brought tears to my eyes as they talked about their art. If you've been to a Theater Latte Da show, particularly in the last five or so years in their new home, the Ritz Theater in Northeast Minneapolis, you know how important design is in their storytelling. Whether it's the wacky carnival world of Assassins, or the "seedy elegance" of Chicago, or the multi-level train station of Once, the set, costume, hair, prop, lighting, and sound design in a Latte Da show is extremely detailed, specific, and thoughtful. It's about time these designers, with such familiar names from reading programs but whose faces we rarely see, get their time in the spotlight.

Minnesota Fringe Festival 2021: Wrap-up and Favorites

After a very long extended intermission from theater, which included a 2020 all-virtual Minnesota Fringe Festival, live and in-person performing arts began to return this summer. I saw a dozen shows in July, three of them indoors (a first in nearly 16 months). Then came August, and a hybrid Fringe Festival, with most shows occurring virtually, along with independently produced in person shows. 

Minnesota Fringe Festival 2021: "Last Summer's Love"

Day: 7

Show: 16

Performance Type: In Person

Location: 11 Wells Spirits Distillery (indoors)

Length: 60 minutes

Title: Last Summer's Love

By: Graber Productions

Summary: A sort of concert version of a new musical about star-crossed lovers.

Highlights: The show is chock full of incredible songs, in a sort of indie-folk-pop style. A very loose and not very original story ties the songs together, in which a man and woman fall in love despite being in relationships. The man moves to California and they try to move on, but they can't forget "last summer's love." I would love to see the story fleshed out a little into a true and full musical, but right now it's all about the music, which is really great. Watching the show feels like being at a concert; the cast (Adri Mehra, Cherelle-Renee Childs, Sylvia Michels, Elliott Graber, Ninchai Nok-Chiclana, and Jack Bonko) performs with mic stands in a traditional band set-up, and are loose and playful as they engage the audience with banter. The cast also doubles as the band, with most of them playing instruments, in that great tradition of Once (of which this show is a little reminiscent) where there is no separation between actors and musicians, between story and music. Both of the leads (Sylvia and Elliott) just shine on stage, very appealing with gorgeous vocals that blend well together. The space in the distillery is very hip, strewn with tapestries and hanging lights, and a cute baby blue vintage bike that is featured in the lyrics and story. The Fringe isn't the Fringe without a new musical, and this one prettily fills the bill, the perfect ending to what has been an entirely satisfactory, if smaller and less exciting than usual, Minnesota Fringe Festival.

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2021: "Impulse"

Day: 6

Show: 15

Performance Type: In Person

Location: Southern Theater (indoors, masks required)

Length: 45 minutes

Title: Impulse

By: Manifest Dance

Summary: Three new original dance pieces performed by a talented company of dancers.

Highlights: One of my favorite things about Fringe is that it gives me an opportunity to see dance, which as a busy theater blogger in the before times I rarely had time to do. This is the only in person dance show at this year's Fringe, and if this is an indication of the #TCDance community, they're coming out of this pandemic really strong and ready to create beautiful meaningful work. Creator and choreographer Sam Lewis performs a gorgeous solo piece sandwiched between two group dances, which are also performed and co-choreographed by Isaiah Langowski, Sam Meryhew, Joe Tennis, and Vivian Wolkoff. The choreography is modern, unique, evocative, and beautiful to watch. The dancers are so graceful and specific in their intentional movements, and I love the way they use the space at the Southern Theater, perhaps the best dance venue in town. Unfortunately there's only one performance remaining, and if you don't already have a ticket for tonight's show, you're out of luck. I'll leave you with their description of the show: "After being cooped up for over a year we are ready to come out swinging. This show is our screams, our cries, and our celebration. For ourselves, for lives lost, for lives begun. 2020 was perspective."

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2021: "Breakneck Comedy of Errors"

Day: 6

Show: 14

Performance Type: Virtual

Location: Streaming Anytime

Length: 60 minutes

Title: Breakneck Comedy of Errors

By: Timothy Mooney Repertory Theatre

Summary: A one-man one-hour retelling of Shakespeare's wacky tale of twins - The Comedy of Errors.

Highlights: Timothy Mooney, who also brought us Breakneck Hamlet at the 2015 Fringe, among others, now brings that breakneck speed through a full Shakespeare play to the virtual world. It's no less impressive, perhaps even more so, because now he only has the change of hat or wig, along with voice and facial expressions, to create all these different characters, rather than a full performance space. Scene by scene, he leads us through the ridiculous story of two sets of twins separated at birth who by happenstance are reunited with each other and their parents (soap operas got nothin' on Shakespeare). He also manages to provide historical background to the story, and most amusingly, commentary on the story, characters, and dialogue. In a weird way, it's actually a great and accessible way to be introduced to or gain more understanding of a Shakespeare play. An this one in particular, with all it's mistaken identities and plot twists, is particularly fun. One look at the detailed show image should tell you that.

Read all of my Fringe mini-reviews here.

Zephyr Theatre's ShakesFaire - "Shakespeare LOL" and "As You Like It"

I'm interrupting this Fringe coverage to bring you news of FREE Shakespeare in the Park! Stillwater's Zephyr Theatre is presenting three shows as part of their annual Shakespeare festival, held in lovely Valley View Park just outside of Stillwater. I saw two of the three shows last night, the first of only five performances this weekend only. It's a gorgeous location with a natural and partly shaded slope for audience viewing (bring a chair or blanket), and really fantastic performances of these two great shows. Read on for more about Shakespeare LOL and As You Like It, then make plans to head out to the park this weekend to enjoy some great outdoor theater, which also includes a puppet show by Open Eye Theatre. Click here for details, but reservations are not required (although donations are accepted).

Minnesota Fringe Festival 2021: "Campsite"

Day: 5

Show: 13

Performance Type: In Person

Location: Boom Island Park (outdoors)

Length: 40 minutes

Title: Campsite

By: Lady Z Productions

Summary: Four friends, old and new, go on a camping trip.

Highlights: Boom Island Park is a gorgeous location that's perfectly fitting for this story that takes place in a campsite in a park. They perform in a shelter with a fireplace in the middle (unlit, because summer heat), and it's easy to imagine that this is the place where lifelong BFFs Terry (Colin Healey) and Jimmy (Maureen L. Bourgeois, who also created and directed the piece) are camping with their friend Allison (Leah Indrelie) and new friend/set-up Debby (Sarah Catcher). Not a whole lot happens in the show, there's a lot of talk about setting up campsites, tomorrow's plans, and what a great guy Terry is. Turns out Jimmy and Allison are conspiring to set their almost-40 friend up with Debby, which makes for a lot of awkwardly sweet moments. The storytelling feels very casual and naturalistic, almost improvised at times, with multiple conversations occasionally going on at once. It's a sweet little inconsequential story about friends, and the free snacks are great!

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2021: "The Scribbler"

Day: 4

Show: 12

Performance Type: In Person

Location: Bakken Museum (outdoors)

Length: 70 minutes

Title: The Scribbler

By: Kyle Munshower

Summary: A comical fantasy about a world in which the King declares it illegal to read and write, with that task falling to one man only (or the woman behind him).

Highlights: This is a really fun, broad comedy, which is obvious by the name of the buffoonish King - Scoopty Woop (played by writer and co-director Kyle Munshower). The titular Scribbler (or Scribner as he tries to insist) Bartleby (played by the other co-director Kevin Duong) has a secret, which is that it's actually his sister Athena (Sela Weber) who is the one doing all the reading and writing, women not being allowed to read and write, natch. When the King, prone to malapropisms and irrational outbursts, sends his loyal steward Stuart (Brennan LaFeber) to translate a letter from the Queen of neighboring country Luxembrovia (Teri Schafer), the siblings find out that war is brewing, and try to stop it. This leads to a confrontation with the King, who cannot be calmed down even by his beleaguered therapist (Laura Ricci), and the Queen, who isn't as benevolent as she seems. It's a ridiculous fantastical farce of a tale, well executed by the cast, with a nice use of live music in the storytelling (Griffin McEnery on fiddle and various other noisemakers), lots of clever and silly wordplay, and more than a little of Sheep Theater's trademark "deranged sincerity" (with whom Kyle has previously worked).

Read all of my Fringe mini-reviews here.

Minnesota Fringe Festival 2021: "Turnabout Musical"

Day: 4

Show: 11

Performance Type: In Person

Location: Phoenix Theater (inddoors, masks required)

Length: 2 hours 15 minutes

Title: Turnabout Musical

By: Albino Squirrel Productions

Summary: A "fan-written parody" musical based on the Ace Attorney video game series.

Highlights: I'm old and uncool, so I don't even know what a video game series is, much less where to find it or how to play (watch?) it. But it seems to have a built in fan base; the young women behind me were talking about the different characters, scenes, and songs as if they knew all about it. Even though that wasn't the case for me, I found it to be a fun and entertaining show. In a world where trials last at most three days and are decided by a judge because of an increase in crime (scary thought), underdog defense attorney Phoenix Wright (Christian LaBissoniere) works to free the innocent. The musical is a series of trials, each one lasting a few scenes/songs, often featuring defendants we met in an earlier episode. Since I did not see the runtime hidden on the "more information" tab on the show page and assumed it was 60-ish minutes like Fringe shows typically are, I had to leave halfway through the second act to get to my next scheduled show. But I got the gist of the accusation-trial-Phoenix wins formula. The huge and talented cast delightfully ham it up playing these broad crime characters, and do a good job with the score, singing unmiked to a recorded track. I would have preferred a trimmed down 60-minute version that adheres to the spirit of the Fringe Festival, but it's a great effort on a novel idea.

Read all of my Fringe mini-reviews here.