The story centers on ex-lovers Eddie and May. After years of suffering in their tumultuous relationship, May has run away and taken up residence in a seedy motel. Eddie drives thousands of miles to find her and convince her to come back to him. She refuses, but can't bear for him to leave either. There's so much more to their relationship that unfolds over the hour (which I'm not going to spoil for you here). In the midst of it, May's date Martin shows up to take her to the movies, bringing the intensity to new heights. And through it all, an "old man" is sitting in a chair in the middle of the action, sometime telling stories, sometimes interjecting or commenting, even entering the action. There's a harsh realism to the play, even surrealism with this character who's sort of there, but not really. And there is a sort of beauty. At one point, Eddie tells a long story about a walk through town with his father in language that is beautiful, but in a stark, gritty, Larry McMurtry kind of way.*
There's so much story and character here that the play easily could be three hours long (or maybe be made a 10-hour Netflix series) and still not cover everything. But Shepard wisely kept it to a sparse 70 minutes that still gives you a full picture of who these people are, even if you don't know every detail of their backstory. That is left to the audience to fill in. One of the things to contemplate is just who the "fool" in the title is. Eddie? May? Their parents? The old man? Maybe all of them. This is the kind of pain-soaked love story that makes one happy to live alone with cats. As Elphaba sings in Wicked, "if that's love it comes at much too high a cost."
|Patrick Coyle, James Rodriguez, Sara Marsh, and|
Antonio Duke (photo by Rich Ryan)
Being that close to the action of the play means the actors have nowhere to hide, and they don't. Rather they're all incredibly open and vulnerable and present in this messy situation. D&S Artistic Director Sara Marsh and James Rodríguez have a dark and intense chemistry, like magnets that both attract and repel, and are individually strong as well inhabiting these complex characters. Patrick Coyle is an ominous presence as the old man, the only actor who never leaves the performance space, saying volumes with the way he watches what's happening, with a grunt or a laugh or a drink. Rounding out the small cast is Antonio Duke as May's sweet and normal date who unknowingly gets involved with this crazy family. The whole cast works well together under Mel Day's direction, with great use of the almost in-the-round space.
If you've never experienced Sam Shepard's work, Dark and Stormy's intense and gripping Fool for Love is a great place to start. And if you're already a Shepard fan, this is a good reminder that although the man is gone, his work continues to live on.
Fool for Love continues through September 16. The small space tends to sell out, so consider purchasing tickets in advance here (including a $15 ticket deal for those under 30).
*Plot summary borrowed from what I wrote about the 2013 production at the Jungle Theater.