|Sofia Salmela as Matilda|
(photo by Dan Norman)
Highlights of CTC's production are many, including:
- A set filled with books! Around the circular arch, suspended from the ceiling, lining stories high book shelves, and piled up in Matilda's room. Other set pieces slide in and out like magic, creating the various rooms in the school, with help from some video magic (set design by Scott Davis, projection design by Jorge Cousinea).
- Costumes that range from the drab school uniforms, to the Wormwoodss cartoonish extravagence, to Miss Trunchbull's militaristic garb (designed by Helen Q. Huang).
- These revolting children, the most revolting being Sofia Salmela as Matilda (sharing the role with Lillian Hochman and Audrey Mojica). She leads the show with confidence, sometimes commanding the stage solo, interacting well with kids and adults, and giving us all of Matilda's angst, hurt, and determination. The ensemble of eight children (plus a handful of "big kids") are all little stars, each of them fun to watch.
- Miss Trunchbull. Aside from the kids, Emily Gunyou Halaas is the best thing about the show. She absolutely revels in Miss Trunchbill's evilness, dripping with delicious cruelty in her every movement, word, and expression. She's so bad you almost want to root for her, but delight in her eventual downfall.
- A supporting cast that is perfection. CTC company members Autumn Ness and Dean Hold ham it up in their broad charactarizations of the world's worst parents, the Wormwoods, while everybody's favorite (or is it just me?) Reed Sigmund steals scenes every which way in a number of roles. Chanhassen regular Tony Vierling uses his dancing skills to comedic effect as Mrs. Wormwood's dance partner (think Strictly Ballroom, but cheesier), China Brickey is a lovely Miss Honey and sings beautifully.
- Kids dancing! Like Spring Awakening for tweens, these kids express the drama and trauma of being a kid by stamping and jumping around in time to the music (choreographed by Linda Talcott Lee). And the swings moment, to "When I Grow Up," is a tender highlight (I heard other grown-ups sniffling).
- A fun and catchy score, brought to life by the seven-piece pit orchestra led by Music Director Andrew Fleser.
- A story that celebrates the power of stories, specifically books. Notes director Peter C. Brosius in the program, "Matilda is a celebration of the power of books and of reading to transform and enlighten us all." When I was growing up, books were my best friends (and maybe still are, along with theater), so I can definitely relate to the little girl who finds comfort in reading.
|Miss Trunchbull (Emily Gunyou Halass) with some revolting children|
(photo by Dan Norman)
*Plot summary borrowed from what I wrote about the Broadway tour two years ago.